The green hat is the energy hat.
Think of vegetation.
Think of growth.
Think of new leaves and branches.
The green hat is the creative hat.
Under the green hat we put forward new ideas.
Under the green hat we lay out options and alternatives.
These include both the obvious alternatives and fresh ones.
Under the green hat we seek to modify and improve suggested ideas.
The value of the green hat is that a specific time is laid out for everyone to make a creative effort.
Creativity is no longer just the business of the "idea person" while everyone else sits around waiting to pounce on an idea.
When the green hat is in use everyone is expected to make a creative effort — or else keep quiet.
People do not like keeping quiet, so they make a creative effort.
The deliberate allocation of time to creative effort is very important.
It acknowledges that creativity is a key ingredient in thinking.
The "expectation" aspect is also very important.
People are very good at doing what is expected of them.
People are very good at playing the "game" that they perceive to be in progress.
The result is that people who have never thought of themselves as creative start making a creative effort.
Their confidence increases and soon they are as creative as anyone else.
Under the green hat one is permitted to put forward "possibilities."
Possibilities play a much bigger role in thinking than most people believe.
Without possibilities you cannot make progress.
Two thousand years ago, Chinese technology was way ahead of Western technology.
Then progress seemed to come to an end.
The explanation often given is that the Chinese did not develop the hypothesis.
Without this key piece of mental software it was impossible to make progress.
Those who believe that progress arises from the analysis of information and steps of logical deduction are totally wrong.
Without the framework of possibilities we cannot even see the information in new ways.
It is under the green hat that suggested courses of action are put forward: "We could do this, or this, or this."
The green hat is also used to overcome some of the difficulties put forward under the black hat.
The green hat may suggest modifications to an idea to avoid the difficulties.
The green hat may suggest the need for an additional idea.
The green hat includes both "off the top of the head" creativity and "deliberate creativity."
If the green hat has produced lots of ideas and possibilities, there may not be enough time at that session to consider them all.
The red hat may then be used to pick out those ideas that seem to fit a particular frame.
For instance, the frame might be "low-cost ideas" or "ideas that are easy to test."
The other ideas might be dealt with later.
In this way the energy of the green hat may still be used in a practical way.
Creative Thinking
New ideas, new concepts and new perceptions.
The deliberate creation of new ideas.
Alternatives and more alternatives.
Change.
New approaches to problems.
The green thinking hat is concerned with new ideas and new ways of looking at things.
Green hat thinking is concerned with escaping from the old ideas in order to find better ones.
Green hat thinking is concerned with change.
Green hat thinking is a deliberate and focused effort in this direction .
… Let's have some new ideas on this.
Put on your green thinking hats .
… We are bogged down.
We keep going over the same old ideas.
We desperately need a new approach.
The time has come for some deliberate green hat thinking.
Let's go.
… You have laid out the traditional approaches to this problem.
We shall come back to them.
But first let us have ten minutes of green hat thinking to see if we can come up with a fresh approach.
… This demands a green hat solution.
We need creativity because nothing else has worked.
We need creativity because we feel that things could be done in a simpler or better way.
The urge to do things in a better way should be the background to all our thinking.
There are times, however, when we need to use creativity in a deliberate and focused manner.
The green hat device allows us to switch into the creative role just as the red hat allows us to switch into the "feeling" role and the black hat into the negative role.
In fact, there may be more need for the green hat than for any other of the thinking hats.
In the exercise of creative thinking, it may be necessary to put forward as provocations ideas that are deliberately illogical.
We therefore need a way of making it clear to those around that we are deliberately playing the role of jester or clown as we seek to provoke new concepts.
Even when they are not provocations, new ideas are delicate seedlings which need the green hat to protect them from the instant frost of black hat habits.
As I have mentioned at various points, the signaling value of the six thinking hats has several aspects to it.
You can request that someone put on a particular hat and then attempt to think in that way.
You can indicate that a certain type of thinking seems desirable.
You can signal to others that you are trying to think in a particular manner — and therefore they should treat your contribution in the appropriate manner.
One of the most important aspects is that you can also signal to yourself.
This is particularly important with the green hat.
You deliberately put on the green hat, and this means that you are setting aside time for deliberate creative thinking.
This is quite different from simply waiting for ideas to come to you.
You may have no new ideas at all while wearing the green hat, but the effort has been made.
As you get better at deliberate creative thinking, you will find that the yield of ideas increases.
In this way the green hat makes creative thinking a formal part of the thinking process instead of just a luxury.
For most people the idiom of creative thinking is difficult because it is contrary to the natural habits of recognition, judgement and criticism.
The brain is designed as a "recognition machine."
The brain is designed to set up patterns, to use them and to condemn anything that does not "fit" these patterns.
Most thinkers like to be secure.
They like to be right.
Creativity involves provocation, exploration and risk taking.
Creativity involves "thought experiments."
You cannot tell in advance how the experiment is going to turn out.
But you want to be able to carry out the experiment.
… Remember, I am wearing the green hat and I am therefore allowed to say things like that.
That is what the green hat is for.
… I thought we were supposed to be wearing our green hat.
We are being much too negative.
Isn't that black hat thinking?
… My green hat contribution is to suggest that we pay long-stay prisoners a decent pension on their discharge.
That could help them get back into society, give them something to lose and prevent them from having to go back to crime.
Treat it as a provocation if you like.
… Under the protection of the green hat, I want to suggest that we fire the sales force.
The green hat by itself cannot make people more creative.
The green hat can, however, give thinkers the time and focus to be more creative.
If you spend more time searching for alternatives, you are likely to find more.
Very often creative people are only people who spend more time trying to be creative because they are more motivated by creativity.
The green hat device allows a sort of artificial motivation.
It is difficult to motivate someone to be creative, but you can easily request someone to put on his or her green hat and to give a green hat input.
Creativity is more than just being positive and optimistic.
Positive and optimistic feelings fit under the red hat.
Positive assessment fits under the yellow hat.
Green hat thinking demands actual new ideas, new approaches and further alternatives.
With white hat thinking we do expect a definite input of neutral and objective information.
With black hat thinking we do expect some specific criticisms.
With yellow hat thinking we would like to get positive comments, but this may not always be possible.
With red hat thinking we do expect to get a report on the feelings involved even if these are neutral.
With green hat thinking, however, we cannot demand an input.
We can demand an effort.
We can demand that time be set aside for generating new ideas.
Even so, the thinker may come up with nothing new.
What matters is that time has been spent in the effort.
You cannot order yourself (or others) to have a new idea, but you can order yourself (or others) to spend time trying to have a new idea.
The green hat provides a formal way of doing this.
Lateral Thinking
Lateral thinking and its relation to creativity.
Humor and lateral thinking.
Pattern switching in a self-organizing information system.
In writing about green hat thinking, I have used the word creativity because this is the word that is in general use.
Many readers of this book will never have heard of me or my concept of lateral thinking.
I also want to indicate that green hat thinking covers the broad range of creative endeavor and is not limited to lateral thinking as such.
I invented the term lateral thinking in 1967, and it is now officially part of the English language; the Oxford English Dictionary records my invention of the term.
The term lateral thinking needed to be invented for two reasons.
The first reason is the very broad and somewhat vague meaning of the word creative, as I indicated under yellow hat thinking.
Creativity seems to cover everything from creating confusion to creating a symphony.
Lateral thinking is very precisely concerned with changing concepts and perceptions; these are historically determined organizations (patterns) of experience.
The second reason is that lateral thinking is directly based on information behavior in active self-organizing information systems.
Lateral thinking is pattern switching in an asymmetric patterning system.
I know that sounds very technical, and there is no need to understand the technical basis of lateral thinking in order to use its techniques.
The technical basis is there, however, for those who want to know about it.
Just as logical thinking is based on the behavior of symbolic language (a particular universe), so lateral thinking is based on the behavior of patterning systems (also a particular universe).
As a matter of fact, there is a very close relationship between the mechanisms of humor and the mechanisms of lateral thinking.
Both depend on the asymmetric nature of the patterns of perception.
This is the basis of the sudden jump or insight after which something becomes obvious.
The deliberate techniques of lateral thinking (various forms of provocation and "movement") are directly based on the behavior of patterning systems.
The techniques are designed to help the thinker to cut across patterns instead of just following along them.
When cutting across to a new pattern is seen to make sense, we have the eureka effect.
Much of our thinking culture is directed toward the "processing" part of thinking.
We have developed excellent systems including mathematics, statistics, data processing, language and logic.
But all these processing systems can work only on the words, symbols and relationships provided by perception.
It is perception which reduces the complex world around us to these forms.
It is in perception that lateral thinking works to try and alter the established patterns.
Lateral thinking involves attitudes, idioms, steps and techniques.
I have written about these in Lateral Thinking and Lateral Thinking for Management.
This book is not the place to go over them again.
I shall, however, deal with some fundamental points of lateral thinking in the following sections, because these points are also basic to the exercise of green hat thinking.
Movement Instead of Judgement
Using an idea as a stepping stone.
Where does this take me?
The forward effect of an idea.
In normal thinking we use judgement.
How does this idea compare to what I know?
How does this idea compare to my established patterns of experience?
We judge that it does fit or we point out why it does not fit.
Critical thinking and black hat thinking are concerned directly with seeing how well a suggestion fits with what we already know.
We may call this the backward effect of an idea.
We look backward at our past experience to assess the idea.
Just as a description has to fit what it is describing, so we expect ideas to fit our knowledge.
How else could we tell if they are correct?
For most of our thinking, judgement (of both yellow and black hat types) is vital.
We could not do anything without it.
With green hat thinking, however, we have to substitute a different idiom.
We replace judgement with movement.
Movement is a key idiom of lateral thinking.
It is another term that I coined.
I want to make it absolutely clear that movement is not just an absence of judgement.
Many early approaches to creative thinking talk about deferring, suspending or delaying judgement.
I think this is much too weak, because it does not actually tell the thinker what to do — only what not to do.
Movement is an active idiom.
We use an idea for its movement value.
There are a number of deliberate ways of getting movement from an idea, including extracting the principle and focusing on the difference.
With movement we use an idea for its forward effect.
We use an idea to see where it will get us.
We use an idea to see what it will lead to.
In effect we use an idea to move forward.
Just as we use a stepping stone to move across a river from one bank to the other, so we use a provocation as a stepping stone to move across from one pattern to another.
As we shall see, provocation and movement go together.
Without the idiom of movement, we cannot use provocation.
Unless we are able to use provocation, we remain trapped within past patterns.
… I want you to use this idea for its movement value not its judgement value.
Suppose everyone became a policeman.
It was just such a provocation that led to the concept of "neighborhood watch," which I spelled out in the cover story of New York Magazine in April 1971.
The concept is now in use in twenty thousand communities in the United States.
The idea is that citizens act as extra eyes and ears for the police — in terms of preventing and detecting crime in the neighborhood.
There is said to be a significant fall in crime in areas where the idea is in use.
… Suppose we made hamburgers square.
What movement could you get out of that idea?
… Suppose there were transferable insurance bonds which one person could sell directly to another.
Green hat that idea.
This might lead to the idea that insurance was actually transferable.
People would then be risk rated themselves.
If you were an AAA type risk, you would get certain benefits from the universal insurance bond.
If you were only an AA type, you would get lesser benefits.
Sometimes we take an idea and use it as a stepping stone and end up with an idea that is quite different.
We merely extract some principle from the stepping stone and then apply that principle.
At other times we stay with a "seedling" idea and nurture it until it grows into a stout plant.
It may also be a matter of taking a vague idea and then shaping it into something concrete and practical.
All these are aspects of movement.
The key thing to remember is that we move forward with an idea or from an idea. …Take the suggestion that everyone who wants to be promoted should wear a yellow shirt or blouse.
Put on your green hat and tell me where that idea takes you.
… It leads me to think of the self-image of the person who has chosen to wear a yellow shirt.
He has to live up to that image.
… It leads me to think of some way to recognize those people who have ambition but who would not be noticed for their talent.
Maybe it would make more sense to train ambitious people and give them the skills.
… It leads me to think of the rules of the game.
The yellow shirt would be a defined rule of the game of promotion and everyone would know it.
How many employees know what they need to do to get promoted?
… It leads me to think of those people who do not want to be promoted.
They can show this by not wearing the yellow shirt.
They just want to stay in their jobs.
… It leads me to think of a way of bringing forward the leaders.
A person would need to be pretty sure of his standing with those around before he risked putting on the yellow shirt.
From this sort of movement a number of useful ideas could emerge.
None of these ideas need actually make use of a yellow shirt as such.
… Here is a suggestion for working on Saturdays and having a midweek break on Wednesday.
Can you green hat it for me?
… As no one wants to work the weekend shifts, there is a suggestion that we employ a permanent Saturday/Sunday workforce, which would be quite separate.
It seems an unworkable idea but green hat it.
In fact this last idea was tried out and worked very successfully.
Using some green hat thinking on the idea made it seem attractive enough to be tried (in this specific case yellow hat thinking might have done the same).
Movement should go far beyond the positive assessment of an idea.
Movement is a dynamic process not a judgement process.
What is interesting in this idea?
What is different in this idea?
What does this idea suggest?
What does this idea lead to?
Such questions are all part of the movement idiom.
The key point to remember is that in green hat thinking the movement idiom completely replaces the judgement idiom.
The Need for Provocation
Use of the word po.
The logic of the absurd.
Random provocation.
Scientific discoveries are always written up as if they had proceeded step by step in a logical fashion.
Sometimes this is what indeed did happen.
At other times the step-by-step logic is only a hindsight dressing up of what actually happened.
An unplanned mistake or accident took place and this provided the provocation that set off the new idea.
Antibiotics arose from the accidental contamination of a culture dish with the penicillium mold.
It is said that Columbus dared to sail across the Atlantic only because he made a serious error in calculating the distance around the world from an ancient treatise.
Nature provides such provocations.
A provocation can never be looked for because it has no place in current thinking.
Its role is to jerk thinking out of current patterns.
The logic of provocation arises directly from the logic of asymmetric patterning systems (see Po: Beyond Yes and No).
We can sit around and wait for provocations, or we can set out to produce them deliberately.
This is what happens in lateral thinking.
The ability to use provocations is an essential part of lateral thinking.
In the preceding section we looked at the movement idiom.
That is how we use provocations.
We use them for their movement value.
We can now look at how we set them up.
Many years ago I invented the word po as a symbolic indicator of an idea that was being put forward as a provocation and for its movement value.
If you like, the letters stand for provocative operation.
Po acts as a sort of white flag of truce.
If a person approached the castle wall waving a white flag, one would be breaking the rules of the game by shooting that person.
Similarly, if an idea is put forward under the protection of po, to shoot it down with black hat judgement would not be playing the game.
In a way — as I mentioned before — the word po acts in the same way as the green hat device.
A person wearing the green hat is allowed to put forward "crazy" ideas.
The green hat is much broader in scope than po but po is more specific.
So it is best to use both . …Po cars should have square wheels . …Po planes should land upside down. …Po shoppers should be paid to buy things. …Po executives should promote themselves. …Po a polluting factory should be downstream of itself.
This last provocation led to the idea of legislating that any factory built alongside a river must have its water input downstream of its own output.
In this way the factory would be the first to sample its own pollution.
The word po may also be regarded as arising from such words as hypothesis, suppose, possible and even poetry.
In all of these, an idea is put out for its forward effect — to provoke something.
By definition an absurd or illogical idea cannot exist within our ordinary experience.
Therefore the idea lies out side any existing pattern.
In this way a provocation forces us out of habitual patterns of perception.
As we move forward from the provocation, three things might happen.
We might be unable to make any movement at all.
We might drift back to the usual patterns.
We might switch to a new pattern.
Just as there are formal methods of getting movement from an idea, so there are formal ways of setting up provocations.
These provide the deliberate techniques of lateral thinking.
For example, one simple way of getting a provocation uses reversal.
You spell out the way something usually happens and then you reverse it or turn it back to front.
… Shoppers usually pay for the goods they buy.
Let us reverse that.
Po, the store pays the customers.
… This could lead to the trading stamp idea, which, in effect, paid shoppers a tiny amount for each purchase.
… This could lead to the idea that the tills are rigged so that at every thousand dollars of input they pay out a jackpot of some sort.
Provocations do not have to be absurd or illogical.
It is possible to treat quite serious ideas as provocations.
If someone brings you an idea which you do not like and which you can instantly dismiss with your black hat thinking, you can instead put on your green hat and choose to treat that idea as a provocation.
It is always possible to make this sort of choice .
… I do not see how your idea of an "honor system" store could ever work because it could so easily be abused.
But I am going to put on my green hat to treat it as a provocation.
That leads to the idea of people adding up their own bills with random checks.
Presumably mistakes would even out in each direction.
A very simple way of getting a provocation is to use a random word.
You can think of a page number in a dictionary and then open the dictionary at that page.
A second number you had thought of could give the position of the word on the page.
For example, you might think of page ninety-two, eighth word down.
Nouns are easier to use than verbs or other types of words.
A list of common nouns is easier to use than a dictionary.
Suppose we wanted some new ideas to do with cigarettes.
The random word turns out to be frog.
… So we have cigarette po frog.
A frog suggests hopping, so we could have a cigarette that went out after a short while.
This might be of benefit in preventing fires.
It could also allow a smoker to have a short smoke and then to use that cigarette later.
This in turn leads to a new brand to be called shorts, which are indeed designed to be very short and give only a two-to three-minute smoke.
… I want some ideas to do with television sets.
The random word is cheese, so television po cheese.
Cheese has holes.
Po the TV screen has holes.
What could this mean?
Perhaps there could be some "windows" which would show what was available on selected other channels.
With logic there should be a reason for saying something before it is said.
With a provocation there may not be a reason for saying something until after it is said.
The provocation brings about an effect, and it is the value of this effect which justifies the provocation.
To many people it may seem unthinkable that a random word could be of value in solving a problem.
The definition of random means that the word has no special relationship.
Yet in the logic of an asymmetric patterning system, it is easy to see why a random word works.
It provides a different starting point.
As we trace our way back from that new starting point, we increase the chance of arriving back along a track we would never have taken when thinking about the subject directly.
Just as movement is part of the basic idiom of green hat thinking, so too is provocation.
When in France you speak French; when wearing the green hat you use provocation and movement as the grammar of creativity.
Alternatives
Too easily satisfied.
Routes, options and choices.
Levels of alternative.
In school mathematics you work out a sum and get the answer.
You move on to the next sum.
There is no point in spending more time on the first sum because if you have the right answer you cannot get a better one.
Many people carry that idiom over into their thinking in later life.
As soon as they have an answer to a problem, they stop thinking.
They are satisfied with the first answer that comes along.
Real life is, however, very different from school sums.
There is usually more than one answer.
Some answers are much better than others: they cost less, are more reliable or are more easy to implement.
There is no reason at all for supposing that the first answer has to be the best one.
If time is very short and there are a great number of problems to be solved, there might be a reason for being satisfied with the first answer — but not otherwise.
Would you like your doctor to settle for the first thing that came into his or her mind and then to stop thinking about your illness?
So we acknowledge the first answer and note that we can always go back to it.
Then we set out to look for alternatives.
We set out to look for other solutions.
When we have a number of alternatives, then we can choose the best by seeing which one fits our needs and our resources.
We may have a perfectly adequate way of doing something, but that does not mean there cannot be a better way.
So we set out to find an alternative way.
This is the basis of any improvement that is not fault correction or problem solving.
So far in this section I have looked at instances where we already have a way of doing things.
Our search for alternatives is really a search for a better way.
There are also times when we do not yet have a way of proceeding.
In planning any journey we set out alternative routes.
When we have completed the mental map of a situation, we look for alternative routes to our destination.
The notion of alternatives suggests that there is usually more than one way of doing things, more than one way of looking at things.
The acknowledgment that there might be alternatives and the search for these alternatives is a fundamental part of creative thinking.
Indeed, the different techniques of lateral thinking are directed to finding new alternatives.
The willingness to look for alternatives (of perception, of explanation, of action) is a key part of green hat thinking.
… Our rival newspaper has just raised its price.
Put on your green hat and list all our alternatives.
… We have received a demand note saying that if we do not pay a large amount of money, our products in the stores will be poisoned.
Let's go through the obvious options open to us, then let's put on our green thinking hats to find some further ones.
The search for alternatives implies a creative attitude: the acceptance that there are different approaches.
The actual search for alternatives may not require any special creativity until the obvious alternatives have been spelled out.
It may simply be a matter of focusing attention on the subject and listing the known ways of dealing with it.
This is not sufficient.
Just as we need to make an effort to go beyond the first solution, so we should make a creative effort to go beyond the obvious set of alternatives.
Strictly speaking we may need only green hat thinking for this extra search.
The first part of the search could even come under white hat thinking: "Go through the approaches that are normally used in such situations."
In practice it is more convenient to put the whole search for alternatives under green hat thinking.
In business training a great deal of emphasis is put on decision making.
Yet the quality of any decision depends very much on the alternatives that are available to the decision maker.
… We are going to have to decide on a location for this holiday camp.
Put on your green hat and let me have all possible alternatives.
Then we can narrow them down.
… How are we going to distribute these computers?
What are the alternative strategies?
Many people believe that a logical scan will cover all possible alternatives.
In a closed system this may be the case, but it is rarely so in real life situations.
… There are only three possible alternatives.
We can leave the price the same.
We can lower it.
Or, we can raise it.
There is nothing else we can do.
It is true that any possible action on the price must eventually fall into one of these three choices.
Yet there are a huge number of possible variations.
We can lower the price later.
(How much later?) We can lower the price on some of the product.
We can change the product and produce a low price version.
We can change our promotion of the product to justify a higher price (leaving the price the same or even raising it).
We can lower the price for a while and then raise it again.
We could leave the price alone and give special discounts.
We could lower the price and then charge extra for options.
Once we have considered such options (and there are many, many more), we could indeed classify them under one of the three choices.
But listing the three choices does not, itself, generate all these alternatives.
It is a very common fault of rigid thinkers to outline major alternative categories and to go no further.
… What I really want to do is to both raise and lower price at the same time.
We shall create a low price commodity line and a high price premium line.
There are different levels of alternative.
I have some free time.
What shall I do with it?
I could go on holiday.
I could take a course.
I could do a lot of gardening.
I could catch up with some work.
If I decide to go on holiday, we move to the next level.
What sort of holiday do I want?
It could be a sun/sea holiday.
It could be a cruise.
It could be a sporting holiday.
If I decide on a sun/sea holiday, we move to the next level: where do I go?
It could be the Mediterranean.
It could be the Caribbean.
It could be the Pacific Islands.
Then there is the matter of choosing how to get there and where to stay.
Whenever we look for an alternative we do so within an accepted framework, which sets the level.
Usually we want to stay within that framework .
… I asked you for alternative designs for an umbrella handle and you have given me a design for a raincoat.
Occasionally we need to challenge the framework and to move upward to a higher level .
… You asked me for alternative ways of loading the trucks.
I am going to tell you that it would make more sense to send our product by train.
… You asked me to suggest media for the advertising campaign.
I am going to tell you that the money would be better spent on public relations.
By all means challenge the framework from time to time and change levels.
But also be prepared to generate alternatives within the specified level.
Creativity gets a very bad name when creative people always make a point of solving a different problem from the one they have been given.
The dilemma remains a real one: when to work within the given framework and when to break out of it.
We come now to what may be the most difficult point in all of creativity — the creative pause.
The creative pause is not there unless we choose to put it there.
Something is going along very smoothly.
We have looked for alternatives at the obvious points.
We have spelled out different approaches to the problems.
What more could we want from creativity?
I once spent ten minutes trying hard to turn off an alarm clock that was not ringing.
I had not paused to consider that the sound might have been coming from my other alarm clock.
The creative pause arises when we say: "There is no obvious reason why I should pause at this point to consider alternatives.
But I am going to."
In general we are so problem-oriented that when there are no problems we prefer to move along smoothly rather than to pause to create more thinking work for ourselves.
… I don't want to think that we have a problem here because we don't.
But I want you to put on your green hat and to have a little creative pause with regard to our normal habit of painting cars before we sell them.
… Have a green hat pause on this point: salesmen are paid commission on the sales they make.
… Consider the steering wheel of a car.
It does its job well.
Pause and green hat it.
Personality and Skill
Is creativity a matter of skill, talent or personality?
Changing masks is easier than changing faces.
Pride in the exercise of a skill.
I am often asked whether creativity is a matter of skill, talent or personality.
The correct answer is that it can be all three.
But I do not give that answer.
If we make no effort to develop the skill of creativity, it can only be a matter of talent and personality.
People are much too ready to accept that creativity is a matter of talent or personality, and since they do not have this, they had better leave creativity to others.
So I put the emphasis on the deliberate development of creative thinking skill (for example, through lateral thinking techniques).
I then point out that some people will still be better at it, just as some people are better at tennis or skiing — but most people can reach a competence level.
I do not like the idea of creativity as a special gift.
I prefer to think of it as a normal and necessary part of everyone's thinking.
We are not all going to be geniuses, but then every tennis player does not hope to win at Wimbledon.
I am always being told about people who are natural black hat thinkers.
They seem to take delight in destroying any idea or suggestion for change.
I am asked if it might be possible to soften the personality of such people.
I am asked if they could be made more tolerant of creativity even if they never want to use it themselves.
I do not think it is possible to change personality.
I do believe that if a person is shown the "logic" of creativity, there can be a permanent effect on that person's attitude toward creativity.
There are several instances in my experience where this has happened.
The most practical approach is to use the green hat idiom.
… When you are wearing your black thinking hat you do a superb job.
I do not want to diminish your critical effectiveness.
But what about the green hat?
See what you can do with that.
… Maybe you prefer to be a one-hat thinker.
Maybe you are not an all-rounder.
Maybe you can sing only one tune.
Maybe you will have to remain the negative specialist.
We shall bring you into the discussion only when we need black hat thinking.
No one likes to be considered one-sided.
A thinker who is superb with the black hat would also like to be considered at least passable with the green hat.
The clear separation of green and black hats means that the black hat expert does not feel that he has to diminish his negativity in order to be creative.
When he is being negative he can be as fully negative as before (contrast this with attempts to change personality).
The tragedy mask and the comedy mask are separate.
The actor himself does not change.
He plays each part to the full depending on which mask he is wearing.
Indeed, he takes pride in being able to do both comedy and tragedy.
He takes pride in his skill as an actor.
In exactly the same way, a thinker needs to take pride in his or her skill as a thinker.
This means an ability to wear each of the six thinking hats and to carry through the appropriate thinking in each case.
I did mention this particular point earlier in the book.
I am repeating it again here because of this practical problem of dealing with the negative personality.
… At this point we are doing some green hat thinking.
If you cannot do that, just keep quiet for the moment.
… You can at least try to use green hat thinking.
You will never develop any confidence in it if you do not even try.
Creative thinking is usually in a weak position because it does not seem to be a necessary part of thinking.
The formality of the green hat promotes it to being a recognized part of thinking, alongside the other aspects.
What Happens to the Ideas?
What happens next?
Shaping and tailoring ideas.
The concept manager.
One of the weakest aspects of creativity is the "harvesting" of ideas.
I have sat in on many creative sessions where a lot of good ideas have emerged.
Yet in the report back stage most of those ideas have not been noticed or picked up by those at the session.
We tend to look only for the final clever solution.
We ignore all else.
Apart from this clever solution, there may be much else of value.
There may be some new concept directions, even though there may be no specific ways of moving in those directions.
There may be half-formed ideas which are not yet usable because they need a lot more work.
New principles may have emerged even though they are not yet clothed in practical garments.
There may have been a shift in "idea flavor" (the type of idea generated).
There may have been a shift in the perceived solution area (where people are looking for solutions).
There may be newly defined "idea sensitive areas" (areas where a new concept could make a big difference).
All these matters should be noted.
It should be part of the creative process to shape and tailor an idea so that it gets closer to filling two sets of needs.
The first need is that of the situation.
An attempt is made to shape the idea into a usable idea.
This is done by bringing in the constraints, which are then used as shapers.
… That is a great idea but in its present form it would be much too expensive.
Can we shape it so that it is less so?
… At the moment the building regulations would not permit us to do that.
Can we shape the idea so that it does not contravene the regulations?
Is that possible?
… That is the right product for a large company.
But we are small.
Is there any way that we can use the idea?
Note that the constraints are brought in as shapers and not as a rejection screen.
The second set of needs that must be met are those of the people who are going to have to act upon the idea.
Sadly, it is not a perfect world.
It would be nice if everyone could see in an idea the brilliance and potential that is obvious to the originator of that idea.
This is not often the case.
Part of the creative process is to shape the idea so that it better fits the need profile of those who are going to have to "buy" the idea.
… At the present moment there is interest only in ideas that save money.
Is there any way this idea can be seen as saving money — now or later?
… To be acceptable an idea must not be too new.
It must be seen to be similar to some old and tried idea that is known to work.
What comparisons can we make?
… There is a great emphasis on being able to test ideas in a pilot fashion.
How could we test this idea?
… High tech is the new fashion.
Would electronic technology improve this idea?
At times this process may seem to border on the dishonest.
Yet there is nothing dishonest in designing a product for the buyer.
So ideas need to be designed to fit the needs of the buyer (within the organization).
In some of my writings I have suggested the role of concept manager.
This is someone who has the responsibility for stimulating, collecting and shepherding ideas.
This is the person who would set up idea-generating sessions.
This is the person who would put problems under the noses of those expected to solve them.
This is the person who would look after ideas in the same way as a finance manager looks after finance.
If such a person exists, he or she collects the output of the green hat thinking.
If not, the output stays with those who have generated it for their own use.
Next is the yellow hat stage.
This includes the constructive development of the idea.
It also includes the positive assessment and the search for supported benefits and values.
Such matters have been discussed under yellow hat thinking.
Black hat thinking comes next.
At any stage white hat thinking can be called upon to supply data required for evaluating whether the idea will work or will be valuable even if it does work.
The final stage is red hat thinking: do we like this idea enough to proceed further with it?
It may seem strange to subject it to an emotional judgement at the end.
It is to be hoped that this emotional judgement is based on the available results of black hat and yellow hat scrutiny.
In the end if there is no enthusiasm for an idea, it is unlikely to succeed no matter how good it may be.
Summary of Green Hat Thinking
The green hat is for creative thinking.
The person who puts on the green hat is going to use the idioms of creative thinking.
Those around are required to treat the output as a creative output.
Ideally both thinker and listener should be wearing green hats.
The green color symbolizes fertility, growth and the value of seeds.
The search for alternatives is a fundamental aspect of green hat thinking.
There is a need to go beyond the known and the obvious and the satisfactory.
The green hat thinker uses the creative pause to consider, at any point, whether there might be alternative ideas.
There need be no reason for this pause.
In green hat thinking the idiom of movement replaces that of judgement.
The thinker seeks to move forward from an idea in order to reach a new idea.
Provocation is an important part of green hat thinking and is symbolized by the word po.
A provocation is used to take us out of our usual patterns of thinking.
There are many ways of setting up provocations including the random word method.
Lateral thinking is a set of attitudes, idioms and techniques (including movement, provocation and po) for cutting across patterns in a self-organizing asymmetric patterning system.
It is used to generate new concepts and perceptions.